这是部非传统式的纪录片,将一位老人的日常生活展现在一年四季当中。当年离开北京时,除了一些旧衣服,老人只带走一些照片和自己工作多年获得的奖状,对于习惯了城市生活的老人来说,在退休后选择来到这个陌生的村庄,还是源于当年他和老伴的一个约定。老俩口为了安享晚年,早就计划好退休后离开北京,找一处风光秀美的山村过清静的田园生活。然而世事难料,刚刚退休不到一个月,老伴就因为心梗去世,突如其来的变故,让老人有些措手不及,处理完老伴的后事,带着她的遗愿找到这里,久留下来。
20世纪60年代末,战后一代开始反抗他们的父母。这一代人对反共产主义资本主义和国家机器感到幻灭,他们认为国家机器中存在着法西斯倾向。这代人包括记者乌尔丽克·迈因霍夫、律师霍斯特·马勒、电影制片人霍尔格·迈因斯,以及学生古德伦·恩斯林和安德烈亚斯·巴德尔。
From a nuclear lake to a haunted forest, New Zealand filmmaker and journalist David Farrier ('Tickled') visits unusual -- and often macabre -- tourism spots around the world.
以2025年第五届世界生物圈保护区大会为契机,人类学家Marta(玛塔)将走入中国的世界生物圈保护区,在观察、访谈、记录的过程中回视人类和生态变迁的历史足迹,思考人类在未来生态建设中的发展机会,探寻如何更好地处理人和自然的关系。
什么是电影特效,股票市场,和心脏病的共同点?它们连接了一个革命性的新的数学分支,改变了我们看世界,开辟了广阔的新领域,以科学的分析和理解。数学家们开发不规则碎片形是从单纯的好奇心到接触几乎每一个分科的理解,包括我们宇宙的命运。
在这部纪录片中,从早期的说唱对决到当之无愧金曲艺人,阿根廷陷阱音乐明星杜基近距离讲述了他的过去和职业生涯。
“Our only hope is the EU,” says Tímea Szabó, who has been fighting against the Orbán system for years. Though it is also the EU that has sent money to Hungary, knowing full well how blatantly the democratic structures are being eroded there. The film portrays three women fighting against the autocrat – in their country and, with it, the whole of Europe because Orbán serves as a prime example for others.
在新一季的荒野求生全明星中,贝尔每集都将邀请一位大家耳熟能详的明星参与为期两天的探险之旅。我们将看到,2022年奥斯卡金像奖最佳男配角的获得者特洛伊·科特苏尔挑战苏格兰高地的崇山峻岭,好莱坞演员、导演和编剧布莱德利·库珀挑战美国怀俄明州的大峡谷,好莱坞演员本尼迪克特·康伯巴奇挑战苏格兰的斯凯岛,从百老汇走向大银幕的演员辛西娅·艾莉佛挑战英国南威尔士的最高峰佩尼范峰,唱作歌手、演员、电视主持人瑞塔·奥拉挑战美国内华达州的火焰谷,演员、说唱、创作歌手戴维德·迪格斯挑战大盆地沙漠,艾美奖最佳女主角塔提阿娜·玛斯拉尼挑战怀俄明州的拉勒米山脉。各路明星和贝尔一起完成了崖降、绳降、跳伞、激流漂流等野外生存挑战,他们不断突破自我,努力克服恐惧,最终成功抵达撤离点。
高雄是日治時期的軍事重地,也是二二八事件中遭受嚴重軍事鎮壓的地區。本片尋訪經歷過二戰的台籍日本兵、二二八事件雄中自衛隊成員,及二二八事件受難者遺族,他們走過被噤聲的年代,恐懼及創傷如影隨形,成為一生都無法卸下的歷史馱負,鏡頭緩緩隨著他們的日常身影流動,他們從日常中撿拾記憶,還原歷經歷史劫難的生命軌跡,從被迫參戰的無奈際遇,到失去親人又背負標籤、跌宕波折的成長處境,沒有悲憤控訴,只有娓娓傾吐,讓他們重新擁有屬於自己的個體傷痕記憶。 深植在他們身體裡的記憶,也留存在時間、空間的縫隙中,本片亦靜靜凝望散落高雄各地的軍事遺址,見證著工兵的血淚與青春;當倖存者逐漸凋零,就以訴說及凝視抵抗遺忘,記憶猶如在這塊土地上努力生長的野番茄,結出強韌的生命果實,展現堅毅不拔的姿態。
我们处于兴奋状态时会发生什么?从性吸引到性幻想,再到避孕、生育和分娩,是时候重新观察鸟类和蜜蜂了。
In 2019, artist Sam Cox bought a mansion in the English countryside. Stripping it bare and painting all the walls white, he then spent two years covering every inch of it with black marker doodles—whimsical, surreal scribbles dubbed “Spaghetti Graffiti.” A stop-motion film capturing this endeavor propelled “Mr. Doodle” to global fame. What began as a total and imaginative artistic vision spirals into a breakdown, forcing a battle between his artistic passion and his mental health. As his loved ones grow concerned for his health, Sam remains resolute, and the film, deftly maneuvering between untamed creativity and carefully-measured balance, offers a remarkably honest attempt to find out if balance is something Sam can ever achieve.
Created by Daniel Bogado and 72 Films (Inside North Korea’s Dynasty), and executive produced by Dan Lindsay and T.J. Martin (Undefeated, LA 92), Daniel Bogado’s 9⁄11: One Day in America was made to mark 20 years since the attacks of 9⁄11. Produced in official collaboration with the 9⁄11 Memorial Museum, the series uses archival footage - some of which has never been seen before - and new, original interviews with eyewitnesses who have now had almost two decades to reflect on the events they lived through. Accumulatively, 9⁄11: One Day in America offers a powerful, immersive, and emotionally charged account of that fateful day.